a sudden slant of light falls across a room of cobweb clutter and i am reminded of a meeting. of its insignificance replaced with light-etched memory. a sudden slant of light falls to reveal the volatility of a moment. a figment of evaporation leaving behind light-etched memory. almost tangible. the significance of it remains as a smile cornered on a deathbed in a room of cobweb clutter.
The plan is to live in Chicago, then Denver, then San Francisco, and then Seattle, as a way to be both young professional and nomad through the remainder of my 20s. The plan is to move back to Philadelphia to reduce the stress of starting over in another new city. The plan is to stay at my current job and save as much money as possible so I have the freedom to start over someplace new sometime soon without having to find another job in my current field. The plan is to apply to jobs in my current field to give me a reason to move to a new place. The plan is to decorate my apartment so it feels like a home and not a temporary storage space. The plan is to get a part-time job that pays just enough to cover bills and gives me experiences to write about. The plan is to pay off my student loans as quickly as possible so that I can reasonably be unemployed and focus on writing or photography or starting a business or some other thing I feel too weighed down to take seriously as this point in my life. The plan is to quit drinking because drinking costs too much money and is not entertaining enough. The plan is to stay single and make friends and have fun with those friends. The plan is to go out and meet someone I can eventually marry and do the whole parenthood thing with. The plan is to take life day by day and see which changes come because changes will come, but they will not come all at once. The plan is made up of contradictions. The plan is a source of anxiety. The plan depends on only me.
His soft soliloquy reflects the moon, a pantomime shadow puppet playing with wind. A pretty piece of palindromey that ends where it begins. A pigmented filament of dewdrop fame holds hopelessness where poems breathe. She picked a phrase with well-chose words to force an end in life’s reprieve. Mishappiness malformed to taunt a tethered wingèd wonder. Breezeblocks burning bayside bridges as wayward ways go asunder. Carthage careens carcinogens, yet erudite elders linger. Picked a peck of picked peppers, yet ten on two he counts his fingers. The punishment of pundits jettisoning just because, is the same as fancy feminists pushing papers, burning bras. I suppose you can articulate just how indifference feels, by skinning yourselves two by two and shrugging off your squeals. Clandestine cloistered communists are cloying to and fro, but Marx’s timid tipping point will be turning years ago. His soft soliloquy reflects repeated for arrhythmia affectless. The moon projecting painted scenes with dimly darkened arabesqueses. A misty mossy happenstance of creatures where they fall. The killer queen who stole her crown forewarned but not forestalled. Blink and blow and blind your beams: the sight is for the singeing. Sopping sipping flopping flipping: an open door not worth unhinging. Blue-battered burning bridges the echo is obtained concretely. An abstract rhyme with blood schemed whisky that coats a love found indiscreetly. I clipped and clopped but still I found coalescing doe-eyed dreaming. Read forwards backwards side to side produced intrinsic hoped for unplanned theming.
It starts. I wake up with a blank day before me. I try to speed it up with caffeine. Green tea. A choice I make so many days in a row that it can hardly still be considered a choice, but an act of normalcy. An attempt to have a pattern, rather than chaos. An attempt at a plan, rather than the quenching of a thirst. Water in a pot. Pot on a stove. A flame click click clicking on. A transfer of energy to heat the solution that will extract caffeine from leaves into a potable liquid for a second transfer of energy.
I brush my teeth, likely too hard. I think about gum health. I think about losing my teeth. I hear it’s a common theme in dreams. It’s not for me, but one day it might happen in my waking life. Might. Possibly. A latent fear, and one I may be causing by combating by doing too much incorrectly. I’ve always been conscious of my dental hygiene, but I don’t think I have very healthy teeth regardless. I won’t know what I should have done my entire life until it’s too late.
Quincy is meowing. One of his eyes is half closed. He woke up when I did, and is confused about how to start his day as well. A series of morning meows is his pattern. It’s how he controls his life’s tiny chaos. I control mine by pouring boiling water into a cast iron tea pot. Teavana brand. It feels artificial to me. Some kind of modern interpretation of an object with a purpose. Some kind of modern interpretation of my life’s plight: everything is exactly as it appears, but nothing has any meaning. I put the lid on my teapot so that condensation collections and rains over the tea again, as a way of strengthening. As a way of putting my knowledge of chemical engineering to use.
I wait. I try to wait. I turn on my computer. Mad Men is already paused, also waiting. I click play. I watch for a minute. I click pause. The tea should be good enough. I fill the chamber with too many leaves so I don’t have to steep them as long. This is how extractions work, although this may not be how the perfect cup of tea is brewed. But this is Cleveland, and I’m not trying to impress the queen. I pour tea into a white mug stained on the inside with tea, and on the outside with paint. I wonder how many chemicals make their way into my body daily, and how they are slowly or quickly poisoning me. I won’t know this until it’s too late either. Old age feels like a series of failures that could be avoided, if only we could see the future.
I walk back to the computer with tea in mug in hand. I light a joint. Puff puff, check my phone. No one’s ringing, but I’m answering. I sit in my chair incorrectly. I broke it not too long ago, but was able to repair it. I am now more aware of when I am sitting incorrectly in my chair, although my actual seated behavior has changed little if at all. I unpause Mad Men. I try to focus on the subtleties of the actors’ faces as they explain to me what it meant to be alive in the 1960s. I will never know what it meant to be alive in the 1960s. I sip my tea. I smoke my joint. I grow bored of the morning and all of its possibilities. I grow bored of 2017 and 1967 simultaneously: half a century reduced to banality in the eyes of a stoned 25 year old on a Saturday morning.
The sun is out. The cats meow to worship it. I open the back door, leaving the screen shut, so they can appreciate sun rays and a cool breeze from inside. Birds chirp. Cat eyes fueled by instinct follow. They meow understanding better than I do, how important it is to trust instinct. I don’t. I stay inside. Outside there are people. They might talk to me, or even worse, they might not. I stay inside. I check my phone. 9:15 am. No one’s there yet. Hours later, I assume I’ll hear from someone or someone else who has just waken up to see the start of the afternoon. That is not now. Now, we wait. We watch for chirping birds and think about how strong the desire is to pounce.
Well-meaning metaphors turned tactless when read between split hairs.
Subjective language’s flimsy foundation: misobscured and hyperbeared.
A muse is blushing: intentions not unclouding down-pointed eyes.
A reader is bored: wordplay availing only undisguise.
Overcomplisimplifications: polar opposites’ portmanteau to a greater power
And here the writer thought she thought of all potential points of pseudofailure
Walter is gloomy and mysterious; Quincy is a mix of bird and dog. Walter calls for your attention while you’re asleep; Quincy waits for the alarm to meow. Walter is graceful in movement and stillness; Quincy stutters with caution before jumping. Walter looks into your eyes to see what else is there; Quincy cannot hold eye contact. Walter lifts into the air: effortless power; Quincy witnesses without watching: interpreting. Walter is a creature of habit; Quincy goes with the flow. Walter is a love poem; Quincy is a scientist. Walter jumps as high as he can; Quincy is most comfortable on the ground. Walter’s tail wraps around him when he’s seated: protecting, shielding; Quincy’s tail is up in the air when he’s walking: carefree, forgotten. Walter tells you he loves you; Quincy drinks your bathwater. Walter needs Quincy more; Quincy loves Walter more. Together, both found different ways to occupy the same space.
an attempt to be in a moment in a moment that is passing at present in the present in an instant not wasting time not wasting now. an attempt to be in a moment in a moment becoming past remaining concentrating on present actions present rest. at attempt to be in a moment but thought fluttering to the future to later just some hours just some point later today. an attempt to be in a moment but i am waiting to answer a text i am waiting to have a meeting i am waiting to get more work i am waiting to have something to do in the present other than write about an attempt to be in a moment because in this moment i am not focused on anything other than my attempt at being in this moment and in a way that is being in a metamoment which is kind of sort of maybe worse than not being active in a moment because it is actively talking about trying to be active in a moment without actually being in that moment or doing the things i should be doing at this present point in time. the present is the only time that exists outside of memory and assumption yet past and future are more often discussed. to talk about the present is to talk about current actions which is not done not really which is kind of strange yet makes perfect sense if present time is only truly present when shrunk down to infinitesimal beats approaching nothings.